Oct. 16, 2025

LA Trip Ep. 4: Resilience, Storytelling & the Art of Reinvention with Lesley Paterson

LA Trip Ep. 4: Resilience, Storytelling & the Art of Reinvention with Lesley Paterson
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LA Trip Ep. 4: Resilience, Storytelling & the Art of Reinvention with Lesley Paterson

World champion triathlete turned Oscar-winning filmmaker Lesley Paterson joins Chris Hill and Adhrucia  to talk about building Brave Art Entertainment, the power of resilience, and how great stories are born from grit. From All Quiet on the Western Front to new global projects with Idris Elba, Lesley shares what it takes to turn creative conviction into a brand that lasts, both on the course and on the screen.

Show Highlights:
(00:00) Introduction and Host Welcome

(00:35) Guest Introduction: Lesley Patterson

(01:00) Lesley's Triathlon Journey

(02:21) Rugby and Building Resilience

(03:41) Founding Brave Art Entertainment

(04:55) Building the Brave Art Brand

(09:41) Challenges in the Film Industry

(10:02) Exciting Projects and Future Plans

(12:40) Conclusion and Final Thoughts

About Lesley Paterson:
Lesley Paterson is a Scottish filmmaker, five-time world champion in off-road triathlon, and the co-writer and producer of the Oscar®-winning and BAFTA-winning film All Quiet on the Western Front. A celebrated author and inspirational speaker, Lesley now channels her trademark grit and creativity as the CEO and founder of BraveArt Entertainment, a production company dedicated to bold, emotionally resonant storytelling that moves audiences and sparks change.

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Um, well welcome to b We built this brand.

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I'm your host Chris Hill, and with me today is my co-host is Adhrucia.

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Hi.

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I am the host of Conversations with Curiosity.

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I'm so happy to be on.

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We build this, we we build that brand.

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There you go.

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We built brand's.

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That's brand a twist brand.

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Well, thank you.

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Um, and today our guest is Lesley Patterson of Brave Art.

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And Lesley, you've got quite the career.

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Quite just, I was looking over everything you've done

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and where you're at and I'm just like, that is just

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so many different things all in one that is possible.

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I know I'm

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a desperate overachiever, what can I tell you?

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I am like that Horrible A type personality.

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Yeah.

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Yeah.

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Absolutely.

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Absolutely.

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Um, so, so you, I mean, you have a background in, um, triathlons.

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You are a world champion at that as well, which is fascinating.

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Tell me, tell me.

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'cause it's not just normal like Iron Man, it's something else too, isn't it?

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No, it's

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completely different.

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I was a five time world champion in off-road

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triathlon, so that's swimming in an ocean or a lake.

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It's then mountain biking on trails and then trail running.

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Mm-hmm.

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So, um, and there was a, a kind of World

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series or there currently is a World Series.

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Races all over the world, culminates in a world championship and yeah, got to

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travel the world, do crazy shit, uh, be out in nature, which I love, love, love.

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Yeah.

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That, that makes it so fun.

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And, um, yeah, I was always like, I always told people like, I could

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do a triathlon if it wasn't for the running, like I'm flatfooted.

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Terrible.

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You could just walk it.

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You see, this is the thing.

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You could just walk it and plenty of triathletes do.

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Really?

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Yeah.

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Oh, big time.

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Big time.

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Yeah.

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You need to reconsider you.

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You do.

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And there's shorter triathlons as well, so I bet

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you I could train you to be able to run a 5K.

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Wow.

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Bet you this just

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took a turn.

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This is a i I. I would love to take you up on that honestly.

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Done, done,

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done, done.

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I need to get in better shape myself anyway.

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I've got a bum knee so that, that makes it a little better.

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We'll figure it out.

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But we figure it out.

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There's a way.

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There's a

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will, there's a way.

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Absolutely.

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Um, but yeah, no, I swam growing up and um, yeah, I was

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a big swimmer and um, I noticed you played rugby too.

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I did.

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I know I was,

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um, actually the only girl on an all boys team.

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That's awesome.

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So it was wicked.

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It was great.

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Yeah.

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I

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played from the age of, um, seven to 12.

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Okay.

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And just loved to get dirty basically, and then beat up in boys.

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Yeah.

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So, and the thing is, is I wasn't actually that

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much smaller now than I, sorry, then than I am now.

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It is.

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So, you know, I was actually comparable to the boys.

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Gotcha.

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Um, but I just didn't grow that much.

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So, but it set really set me up actually to be incredibly tough and resilient.

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Yeah.

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And then, you know, sort of get used to standing out, being

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laughed at and being pointed at and, and, and d digging in and,

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and mastering what I loved about it and being part of a team.

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Yeah.

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Rather than worrying about sort of what people were thinking about me.

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Yeah.

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Yeah.

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One of my, one of my mentalities in businesses.

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Rucking mall like that is very much how I think of like, anytime I go

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through something difficult, it's like I'm in the ruck in the mall.

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I just gotta keep it going.

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That's it.

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Keep that ball moving forward.

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So

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it's true.

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It's true.

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That's, oh, that's a great one.

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Yeah, that's, that's a T-shirt.

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Okay.

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That's my T, that's my new T-shirt.

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That's a brave art t-shirt.

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Rock and mall.

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Awesome.

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I love it.

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Yeah.

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And now you, you run a film and television company, brave Art Entertainment.

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Yes.

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Tell us how that happened.

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Tell us the journey to becoming a founder.

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So,

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yeah, so I studied my undergraduate and graduate in theater

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and film at the same time as being a, a professional athlete.

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Mm-hmm.

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And so it's always been, you know, in my DNA and so I was kind of

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producing and writing and developing my skills at the same time.

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Um.

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But had optioned the rights to a big book all quiet in the Western front.

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Mm-hmm.

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And that took about 16 years to get off the ground.

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And uh, luckily it got off the ground right at the same time as I was

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kind of retiring from sport and 16 years, 16 years long body time.

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Wow.

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But, you know, we stuck with it and that has kind of helped

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us to really, uh, launch the company with a great team.

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And I started it actually with my husband.

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Been who's since passed away.

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Um, but we were writing partners and had some sort of content in there already.

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And then I've brought in this amazing team and yeah,

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we're just, we're building it out really quickly.

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We're doing incredible things.

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We've got a wonderful slate and a great mission,

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and it's, it's, it's incredibly exciting times.

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Tell us about

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building the Brave Art brand.

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Yeah.

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So really the stories that we tell, um, I'd say they're ones of resilience

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and of, uh, muscular, poetic, um, and at the heart of our company.

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Is a writing story first.

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Mm-hmm.

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So we have a writer's room within the company.

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So almost like this brain trust that comes together to

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really develop and shepherd the story from start to finish.

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'cause what we found personally and within the team is that this

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intersection between creativity and the business side is kind of broken.

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Um, and so we are wanting to be that conduit.

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Tween amazing storytelling and the business side.

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Mm-hmm.

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Um, and so really offering that as a service to other companies in terms of

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script writing and, you know, story shepherding through the entire process.

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And at the same time developing our own IP as well.

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Um, because everybody knows that it starts with a great script,

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right?

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And yet nobody's willing.

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To really do the development behind it.

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Mm. Because they see that as the riskiest part.

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Mm-hmm.

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And yet that's a part that starts everything.

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And is the genesis of it being a success?

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Yeah.

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So we feel as a company that's our special sauce.

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And, um, we're tapping into something I think that is missing.

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Um, so yeah, we're building it out like that.

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It's, it's kind of exciting.

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Yeah.

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I, I think original stories are.

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One of the hardest things to find these days, like finding original

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creative work, finding original, um, stories to still tell it.

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It's, it's a, there's a plethora of them out there, right?

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But everybody wants the, the, the hottest young adult fiction

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series to become the next movie series or the next, the.

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Which is, which is fine, right?

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I think it's like you want original stories, but at the same time, it doesn't

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matter, whatever the genre is or whatever the story is or whatever the IP is.

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At Braver, what we focus on is why are we telling this story?

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Mm-hmm.

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What's our why and why are we telling it now?

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And so if that sort of is your orientation for creating something great,

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um, then it's always gonna be relevant and it's always gonna have purpose.

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Um, and therefore it's always gonna land no

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matter what that story is and what that genre is.

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And that's a difference.

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So it's all about excellence of the craft.

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Mm-hmm.

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At the heart of it.

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Um, and that's what's gonna set us apart from other people.

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Yeah.

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Because

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what you find is in the industry is there's a lot of industry people

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that are maybe on the business side and not on the craft side.

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Mm-hmm.

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They wouldn't know what a good story is or what

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a good script is if it slapped him on the face.

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You know, because they're not, that's not

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their, that's not their, um, specialty.

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Right.

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And, but unfortunately they don't know.

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It's not their specialty, they think it is.

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Mm-hmm.

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So I feel like that is our specialty.

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So if we can marry that with a business side, then we're off to a winner.

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When you're building those original pieces of IP versus established

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pieces of ip, as someone who's specifically focusing on the

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development, what is the, or is there a secret sauce or a way that

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you are approaching, uh, building that IP up so that those people

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who do, who do sit on the business side, uh, find it attractive?

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Is there a special sauce?

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I'm sure many people who are listening are gonna say yes.

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Great when you have the best selling novel, but what happens

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when it is an original story that you guys really believe in?

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How are we kind of forming that and, and helping build that up for the market?

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Right.

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So I think at the heart of it, certainly for

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me, and I think for the rest of my team is, um.

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Having a story that says something mm-hmm.

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About what is going on in today's society, and that's at the heart of it.

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And then building around that, uh, the craft of that screenplay of that story.

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So that means, uh, an amazing concept that means, uh,

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a genre that fits that concept and that is marketable.

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Uh, that means creating incredible characters.

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Mm-hmm.

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That means having compelling, compelling conflict drive your story.

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So there's like, there's so many parts that come together.

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It's like this mathematical problem that you have to

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solve, but you can't have the audience see it, and then

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you have to do it in a way that is original and unique.

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Mm-hmm.

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Um, so.

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All of that to say, um, I think it's, it's gotta say something about what's

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going on in today in some fashion, and that, that, that peppers every scene,

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every character, every arc, uh, and, and the arc of the story as well.

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What are the greatest issues that you've found as a development team

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taking stories into the market right now for, uh, filmmakers who are

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watching or storytellers who might be interested in working with you?

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What are the issues of the pitfalls that

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you see with the current industry that, um.

245
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That you Yeah.

246
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That really are things that you're working around and working towards solving.

247
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Totally.

248
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So maybe I'll, I'll, I'll chat about a few

249
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stories that, that we're currently working on.

250
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We're doing a great project, uh, set in Ghana, uh, with, with

251
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Idris Elba, and it's about, uh, it's a true story mm-hmm.

252
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Um, about an African queen mother that raises an

253
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army of 5,000 warriors to fight off the British.

254
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But at the heart of it, it's all about, um, standing up when no one else will.

255
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Mm-hmm.

256
00:10:26,760 --> 00:10:27,540
I love that.

257
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So that's a really powerful story, right?

258
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Then we're doing this amazing other story about, uh,

259
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uh, actually an African, um, runner, um, a true story.

260
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Uh, and he was a Sudanese lost boy that ended up

261
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coming to America and running in the Olympics.

262
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And at the heart of it, it really is.

263
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The, the American dream in all its glory, and

264
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it's also one of identity and, uh, responsibility.

265
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So again, really potent issues.

266
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Um, gosh.

267
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I mean, then we're doing some sports movies in the

268
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genetic modification space, which is all about identity.

269
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Then we're, I mean, there's, there's so many different.

270
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Things, you know, we're doing a big TV series about the Navy

271
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Seals and the history of the Navy Seals and what has made them

272
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who they are, which at the heart of it is Maverick is, and, you

273
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know, continually reinventing themselves in order to have relevant.

274
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And why is that important?

275
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And that's such I potent message.

276
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You know, if you're a maverick, uh, you're always kind of thinking

277
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outside the box about how to progress and how to move things forward.

278
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And sometimes that doesn't look good to the

279
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outside or you're pushed down because of that.

280
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But that's how we actually get progress in a

281
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system that is maybe broken, is pushing against it.

282
00:11:46,555 --> 00:11:50,724
So like, yeah, there's so, there's so many issues, I guess.

283
00:11:51,444 --> 00:11:52,854
Um, yeah.

284
00:11:53,484 --> 00:11:53,694
Yeah.

285
00:11:54,750 --> 00:11:56,849
And those all sound like really cool stories too.

286
00:11:56,849 --> 00:12:00,270
I mean, just, um, I'm fascinated to hear more about the,

287
00:12:00,270 --> 00:12:02,760
the Navy Seal one that sounds really cool for the future.

288
00:12:02,765 --> 00:12:03,055
Oh, it's like a

289
00:12:03,055 --> 00:12:03,214
man.

290
00:12:03,270 --> 00:12:04,109
Oh my gosh.

291
00:12:04,739 --> 00:12:07,920
Um, uh, it's based on a book called By Water

292
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Beneath the Walls, written by a Navy Seal.

293
00:12:11,045 --> 00:12:15,750
Um, and it kind of is a, is a history of the NA Navy

294
00:12:15,750 --> 00:12:18,420
Seals starting right back at the origin of them.

295
00:12:18,660 --> 00:12:18,780
Yeah.

296
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And the most unlikely figure that.

297
00:12:20,675 --> 00:12:25,234
That kind of started it to overcome the issues of obstacles on the beach.

298
00:12:25,234 --> 00:12:27,454
And they needed, you know, at Normandy and

299
00:12:27,454 --> 00:12:29,795
they needed underwater demolition to fix it.

300
00:12:29,795 --> 00:12:31,895
It's, it's just madness and how hell weak came

301
00:12:31,895 --> 00:12:34,474
about and how NFL players were a part of it.

302
00:12:34,474 --> 00:12:36,814
It's like, oh my god, it's so

303
00:12:36,814 --> 00:12:37,295
crazy.

304
00:12:37,745 --> 00:12:39,484
Yeah, that is, that is fascinating.

305
00:12:39,484 --> 00:12:39,935
It's cool.

306
00:12:40,295 --> 00:12:43,145
Well, Lesley, thank you so much for taking the time, pleasure to join us today.

307
00:12:43,145 --> 00:12:43,295
Pleasure.

308
00:12:43,295 --> 00:12:44,285
It's been awesome.

309
00:12:44,314 --> 00:12:46,594
Um, before we go, I always like to ask this question, which

310
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is, um, you know, if you could think of any brand that.

311
00:12:50,205 --> 00:12:53,865
That, that has been really influential on you or, um,

312
00:12:53,865 --> 00:12:56,295
that you would say like you really admire right now?

313
00:12:56,295 --> 00:12:57,405
What brand would that be?

314
00:12:58,305 --> 00:12:58,845
Oh my God.

315
00:13:00,510 --> 00:13:01,140
Brand.

316
00:13:01,199 --> 00:13:02,010
Oh gosh.

317
00:13:02,130 --> 00:13:04,319
Uh, um, Hey, listen, I'm a Braveheart

318
00:13:04,319 --> 00:13:06,660
queen, so maybe it's a brand of Braveheart.

319
00:13:07,439 --> 00:13:07,650
Okay.

320
00:13:07,650 --> 00:13:11,010
Um, because it's the underdog fighting and never giving up.

321
00:13:11,040 --> 00:13:11,130
Mm-hmm.

322
00:13:11,370 --> 00:13:14,670
Um, and I think that that brand is, is beyond just say the film.

323
00:13:15,030 --> 00:13:15,180
Yeah.

324
00:13:15,210 --> 00:13:17,370
And that's kind of at the heart of who I am.

325
00:13:17,370 --> 00:13:17,580
I

326
00:13:17,580 --> 00:13:17,939
love that.

327
00:13:17,939 --> 00:13:18,000
Um,

328
00:13:18,689 --> 00:13:18,819
that's great.

329
00:13:19,250 --> 00:13:20,660
So it's not really a thing.

330
00:13:20,660 --> 00:13:21,440
Guess a good answer.

331
00:13:21,440 --> 00:13:21,975
Is that okay?

332
00:13:22,175 --> 00:13:22,575
Let's go.

333
00:13:22,575 --> 00:13:24,770
It's definitely one of the films that stood the test of time.

334
00:13:24,800 --> 00:13:25,575
Yes, exactly.

335
00:13:26,125 --> 00:13:28,940
Well, Mel Gibson wasn't exactly Scottish, but that's all right.

336
00:13:28,940 --> 00:13:29,720
We'll forgive him for that.

337
00:13:31,370 --> 00:13:32,255
He still did a pretty good job.

338
00:13:32,255 --> 00:13:32,735
Yeah, yeah, yeah.

339
00:13:32,735 --> 00:13:33,500
He doing good job.

340
00:13:34,400 --> 00:13:34,850
That's great.

341
00:13:34,850 --> 00:13:36,710
Well, thank you so much for coming on.

342
00:13:36,710 --> 00:13:37,160
Pleasure.

343
00:13:37,160 --> 00:13:39,560
And we're going running tomorrow, just so you know.

344
00:13:39,620 --> 00:13:39,950
Yeah.

345
00:13:40,550 --> 00:13:41,670
She's gonna be on your door.

346
00:13:41,670 --> 00:13:42,015
Well, I issues with.

347
00:13:42,275 --> 00:13:42,485
Thing.

348
00:13:42,555 --> 00:13:42,985
We'll see.

349
00:13:42,985 --> 00:13:43,005
We'll see.

350
00:13:43,145 --> 00:13:44,135
You better be ready.

351
00:13:44,135 --> 00:13:44,645
You sign up.

352
00:13:44,645 --> 00:13:45,064
That's

353
00:13:45,120 --> 00:13:45,199
right.

354
00:13:46,030 --> 00:13:46,640
Triathlon.

355
00:13:46,640 --> 00:13:47,160
Here they come.

356
00:13:47,405 --> 00:13:48,515
You, you may be walking.

357
00:13:48,515 --> 00:13:49,295
I'll just warn you.

358
00:13:49,355 --> 00:13:49,865
That's okay.

359
00:13:49,925 --> 00:13:50,314
I may be running.

360
00:13:50,314 --> 00:13:51,005
We start somewhere.

361
00:13:51,155 --> 00:13:52,145
One step at a time.

362
00:13:52,475 --> 00:13:52,775
Yeah.

363
00:13:52,775 --> 00:13:53,495
Well, thank you.

364
00:13:53,495 --> 00:13:55,265
Thank you so much, um, for coming on.

365
00:13:55,265 --> 00:13:55,895
We built this brand.

366
00:13:56,135 --> 00:13:58,505
Where can people find out more about you and connect with you?

367
00:13:58,560 --> 00:14:02,609
Yeah, so you know, online, you know LinkedIn, um, you

368
00:14:02,609 --> 00:14:05,430
know, uh, we're gonna have a website up for the company

369
00:14:05,430 --> 00:14:08,520
pretty soon, which will be braveheart entertainment.com.

370
00:14:08,910 --> 00:14:13,979
Um, you can sort of go on IMDB, Google Search Me.

371
00:14:13,979 --> 00:14:15,300
There's plenty of ways to get in touch.

372
00:14:15,750 --> 00:14:15,989
Excellent.

373
00:14:16,349 --> 00:14:17,069
Sounds great.

374
00:14:17,069 --> 00:14:18,089
Well, thank you so much.

375
00:14:18,089 --> 00:14:18,449
Thank you.

376
00:14:18,449 --> 00:14:18,660
All righty.

377
00:14:19,079 --> 00:14:19,469
Cheer guys.

378
00:14:19,469 --> 00:14:19,890
Thank you.

379
00:14:19,949 --> 00:14:21,040
Thank you, Lesley.